{"id":1260,"date":"2024-12-25T15:59:19","date_gmt":"2024-12-25T15:59:19","guid":{"rendered":"https:\/\/josequintanilla.com\/?page_id=1260"},"modified":"2024-12-25T17:34:37","modified_gmt":"2024-12-25T17:34:37","slug":"statement","status":"publish","type":"page","link":"https:\/\/josequintanilla.com\/?page_id=1260","title":{"rendered":"Statement"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/josequintanilla.com\/wp-content\/uploads\/2024\/12\/statement_950x350.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"950\" height=\"350\" src=\"https:\/\/josequintanilla.com\/wp-content\/uploads\/2024\/12\/statement_950x350.jpg\" alt=\"\" class=\"wp-image-1283\" srcset=\"https:\/\/josequintanilla.com\/wp-content\/uploads\/2024\/12\/statement_950x350.jpg 950w, https:\/\/josequintanilla.com\/wp-content\/uploads\/2024\/12\/statement_950x350-300x111.jpg 300w, https:\/\/josequintanilla.com\/wp-content\/uploads\/2024\/12\/statement_950x350-768x283.jpg 768w\" sizes=\"auto, (max-width: 950px) 100vw, 950px\" \/><\/a><\/figure>\n\n\n\n<p><em>\u201cNo pensar es tan arriesgado como dejarse llevar por el pensamiento de otros\u201d\u00a0<\/em><br><strong>Rafael Argullol<\/strong> (Danza humana)<\/p>\n\n\n\n<p>\u00ab<em>Lo bello es el comienzo de lo terrible que todav\u00eda podemos soportar<\/em>\u00bb <strong><em>Rilke<\/em><\/strong><br>\u00ab<em>Lo siniestro es aquello que, debiendo permanecer oculto, se ha revelado<\/em>\u00bb <strong><em>Schelling<\/em><\/strong><br><strong>Eugenio Tr\u00edas<\/strong> (Lo bello y lo siniestro)<\/p>\n\n\n\n<p><strong>ENTRE LO BELLO Y LO SINIESTRO<\/strong><br><br>Entiendo el paisaje como la hibridaci\u00f3n entre la acci\u00f3n humana y el entorno que lo rodea, la acci\u00f3n demoledora que erosiona el territorio en una lucha constante con el medio ambiente. La memoria de los espacios vividos y abandonados, la ruina como representaci\u00f3n del paso del tiempo, la idealizaci\u00f3n de la naturaleza como reflejo de nuestro lado mas espiritual. <br><br>En mi trabajo exploro los fundamentos de la imagen, forma y color, y c\u00f3mo a partir de mi propia creaci\u00f3n abrirnos de nuevo a la belleza y relevancia de la naturaleza. Crear un lenguaje propio con el que pueda transmitir a trav\u00e9s de mi obra mis obsesiones personales, invitando a la contemplaci\u00f3n pausada al espectador. <br><br>Como impresor especializado en la edici\u00f3n de obra de arte y facs\u00edmiles para artistas y museos, he dedicado muchas horas de investigaci\u00f3n en t\u00e9cnicas y soportes para la reproducci\u00f3n de m\u00e1xima calidad y durabilidad. Este inter\u00e9s forma parte de mi trabajo y est\u00e1 muy presente en mi obra, siempre en la experimentaci\u00f3n y la implicaci\u00f3n en los procesos de producci\u00f3n, en la b\u00fasqueda entre los l\u00edmites de la fotograf\u00eda y la pintura.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><em><strong>BETWEEN THE BEAUTIFUL AND THE SINISTER<\/strong><\/em><\/p>\n\n\n\n<p><em>I understand landscape as the hybridization between human action and the surrounding environment, the demolishing action that erodes the territory in a constant struggle with the environment. The memory of lived and abandoned spaces, the ruin as a representation of the passage of time, the idealization of nature as a reflection of our more spiritual side.<\/em><\/p>\n\n\n\n<p><em>In my work I explore the fundamentals of image, form and color, and how from my own creation I can open up again to the beauty and relevance of nature. To create my own language with which I can transmit through my work my personal obsessions, inviting the viewer to slow contemplation.<\/em><\/p>\n\n\n\n<p><em>As a printer specialized in the edition of works of art and facsimiles for artists and museums, I have dedicated many hours of research in techniques and supports for the reproduction of maximum quality and durability. This interest is part of my work and is very present in my work, always in the experimentation and involvement in the production processes, in the search between the limits of photography and painting.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cNo pensar es tan arriesgado como dejarse llevar por el pensamiento de otros\u201d\u00a0Rafael Argullol (Danza humana) \u00abLo bello es el comienzo de lo terrible que todav\u00eda podemos soportar\u00bb Rilke\u00abLo siniestro es aquello que, debiendo permanecer oculto, se ha revelado\u00bb SchellingEugenio Tr\u00edas (Lo bello y lo siniestro) ENTRE LO BELLO Y LO SINIESTRO Entiendo el paisaje [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-full-width.php","meta":{"footnotes":""},"class_list":["post-1260","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/josequintanilla.com\/index.php?rest_route=\/wp\/v2\/pages\/1260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/josequintanilla.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/josequintanilla.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/josequintanilla.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/josequintanilla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1260"}],"version-history":[{"count":10,"href":"https:\/\/josequintanilla.com\/index.php?rest_route=\/wp\/v2\/pages\/1260\/revisions"}],"predecessor-version":[{"id":1288,"href":"https:\/\/josequintanilla.com\/index.php?rest_route=\/wp\/v2\/pages\/1260\/revisions\/1288"}],"wp:attachment":[{"href":"https:\/\/josequintanilla.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}